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The Harriet Parkerson papers contain writings for the Domestic Science Club (some were not presented), financial records in the forms of receipts and cancelled checks and a copy of the published version of her sister's, Julie Etta Parkerson Reynolds 1874 journal. The papers are housed in two boxes.
Literary Works makes up the bulk of the collection and contains papers Harriet wrote to present to the Domestic Science Club and one paper written by Ellen Goodnow. For the most part, these presentations are random topics that the women appear to have picked themselves. They bridge a wide array of subject matter and are all not focused on the matters of what people would tend to think of as Domestic Science. While Harriet wrote about topics such as baking, soaps and soap making, and wardrobe maintenance, she also wrote about historical figures like Anne Louise Germaine Necker, Leo Tolstoy, and Michael Faraday. One of the more interesting items from this series is the story of Soonboonagen Ammal, a female martyr from India.
The Financial Series contain receipts and canceled checks. The receipts are organized chronologically and are mostly from the years between 1909 and 1912. Many of the receipts are for magazine subscriptions and the rental of a post office box. Other receipts are for necessities and items such as landscaping, flowers, and oats. The canceled checks are from three different banks and sorted alphabetically by the bank. The checks are from the financial institutions First National Bank, Manhattan State Bank, and Union National Bank. The checks are mostly made out to individuals including her nephew Louis and herself (checks labeled "myself"); a few are also written out to institutions or businesses like Kansas State Agricultural College, Montgomery Wards, and Kimball Printing Co.
Printed Material is made up of Harriet's sister's, Julie Etta Parkerson Reynolds 1874 Journal, an agricultural magazine, the 1936-1937 Domestic Science Club booklet, and a few newspaper clippings.
The Department of Special Collections has Harriet Parkerson's journal on microfilm and the original is located at the Kansas State Historical Society in Topeka, Kansas. Additional information about Harriet can be found in the History Index located in Special Collections.

The collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.
The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.
The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.
The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.
The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.
The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.
The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.
Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters.

The Horticulture, Forestry, and Recreation photographs were generated by the Department of Horticulture. These photographs, slides, and glass slides document horticulture areas near campus, as well as in Honduras, Costa Rica, Florida, and elsewhere. Images largely include crops, trees, floriculture, and landscapes. There are also photographs of various events held or attended by the department, notably Kansas State Fairs, the apple blossom festival, and the 1921 Potato Show, as well as student and faculty awards. Medals and framed certificates are included. Approximate years covered by the records are 1876-1991.

Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.
The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.
Some items of interest include typed lyric sheets of "Goos Pond" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and "Don't Start Me To Talking" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).

The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.
The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.
The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by "a white Christian" or "a white, white, American." There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series "Correspondence to Poetry Magazines" is listed alphabetically by magazine title and consists of one box.
The sub-series "Correspondence Log" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.
Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that "recycled" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.
Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.
The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.
Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the "50th Anniversary of the 1939 Pottstown High School Graduates" of interviews with Earl "Yogi" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.
There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.
Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.
The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's "Passion for Peace," Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's "The Picture Poems of Kenneth Patchen," California Living, 1983. There are four Kenneth Patchen poems included: "The Way Men Live Is a Life," 1944, "A Poem For Christmas," 1961, "What I'd Like To Know Is, 1967" and "A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man," 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.
Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.

John M. Lilley (1939-) served as Assistant Dean of the College of Arts and Sciences at Kansas State University from 1976 to 1980. During that period, he compiled research for a book on American composer Gail Thompson Kubik. He also developed files pertaining to K-State's New Student Transition Program and Ad Hoc Committee on Enrollment and Orientation.
Most records pertain to Lilley's Kubik research and include audio materials and recording information, sheet music, and photocopies of articles and scrapbooks. Administrative records associated with Lilley's role as Assistant Dean of the College of Arts and Sciences document enrollment programming during the late 1970s.

The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters.

The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member.

Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences.

The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State.

The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.

The Kansas Iota chapter of Phi Kappa Theta was founded in 1921 and continues to be a presence at the university. These records contain meeting minutes from 1921 to 1996, attendance records, operating statements, and general fraternity history and activity. This collection also contains petitions from other university chapters asking to be inducted into the national fraternity. Box 1 contains meeting minutes from 1921-199. Box 2 contains the general records for the organization.

These newsletters are from academic and other offices and units at Kansas State University. Topics typically will relate to department information, personnel updates, and similar subjects.

The Kenneth S. Davis Papers (1886; 1912-2000) documents Davis’s career as a prominent historian and writer. Davis’s Estate holds the copyright to his literary works. The majority of the collection is related to his writings.
The Writings/Journals Series (1919; 1935-1967) consist of one box and includes some of Davis’s early writing efforts when he was seven years old. Davis kept journals for the years 1935, 1937, 1941, 1953 through 1955, 1961, and 1966 through 1967. In 1958, Davis began keeping a journal with is his wife Florence (Flo) Olenhouse Davis and they continued writing in the same journal through 1959. This series also includes some of Flo’s writing efforts. While she was never published, Flo was a highly skilled and diverse writer who wrote about topics that interested her such as trains, souvenirs from Chicago, and relatives.

Contained in 12 boxes the Correspondence Series (1934-1999) includes letters between Davis and his agents and publishers and editors and other correspondence. The agent's letters are arranged chronologically in one box while the publishers/editors are arranged alphabetically and stored in three boxes. Other correspondence is arranged alphabetically, consists of eight boxes, and includes letters from historians David McCullough, Arthur Schlesinger, Jr., and William Shirer. Some other correspondence of interest includes letters from Kansas individuals such as Dave Kendall host of the PBS show Sunflower Journeys, Bill Koch, Karl Menninger of the Menninger Foundation, and Richard Seaton of The Manhattan Mercury newspaper. Davis received letters from K-State individuals such as Betty Bailey, Earle, and Kay Davis, George Kren, Don Mrozek, Homer Socolofsky, Ralph Titus, President Jon Wefald, and Dent Wilcoxon.

The Awards/Certificates Series (1935-2000) is housed in one box and includes the Friends of American Writers Award that Davis won in 1943 for his fiction novel In the Forests of the Night, the 1960 Thormod Monsen Award for The Hero, Charles A. Lindbergh, and the American Dream, and the 1973 Francis Parkman Prize for FDR: The Beckoning of Destiny, 1882-1928. In 1963 Davis received the Centennial Award for Distinguished Service at K-State, he received an Honorary Doctorate degree from Assumption College in Worcester, Massachusetts in 1968, and in 1975 he became a member of Phi Beta Kappa at K-State. Between 1967 and 2000, Davis was often listed in the Marquis Who’s Who in America.

Housed in one box, the Organizations/Clubs Series (1952-1999) includes Davis’s membership in the Society of American Historians, Bohemians, Inc., Century Club, and Dickens Fellowship and some other documents related to the organizations. Of interest in the Society of American Historians is correspondence from Kenneth T. Jackson announcing in 1973 that Davis won the Francis Parkman Prize and had been elected to membership in the society. Davis presented programs to the Bohemians including “What’s Wrong With The Press,” “The Problem of a Biographer,” and “Puritan Kansas: New England Influence” and gave a speech about remembering Clarence Daigneau. Adlai E. Stevenson proposed Davis as a member of the Century Club in New York City and William Shirer also played an instrumental role in Davis’s election into the club. Davis and his wife, Flo, were active in the Dickens Society in Worcester, Massachusetts and this section includes newspaper clippings about the Society’s Christmas dinners.

The Fellowship and Grants Series (1953-1982) is contained in one box that includes documents on Guggenheim Fellowships, National Endowment for the Humanities grants, the Stern Family Fund, and the Woodrow Wilson Scholar. In 1961, Davis applied for a Guggenheim Fellowship, however, it was not granted, and in 1974, he received a $12,000 grant. In 1980, Davis applied for a National Endowment for the Humanities grant, but he did not the grant.

Contained in four boxes, the Speeches Series (1942-1998), includes Davis’s 1943 acceptance speech for the Friends of Americans Writer Award he received for his novel In The Forests Of The Night. Other speeches of interest in this series include Davis’s 1947 speech for the Topeka Chapter of the League of Women Voters titled “UNESCO-Its Nature and Function,” his 1971 speech for Assumption College titled, “Thinking About FDR: Some Problems Of A Biographer,” his 1975 speech at the Kansas State Historical Society Dinner titled, “Portrait of a Changing Kansas,” and his 1994 Lou Douglas Lecture at K-State titled, “Mass Communication and the American Democracy.” Davis and his wife, Flo, were actively involved in the Dickens Society and speeches of interest to this group include the 1962 “Of Dickens and ‘Bleak House’” and the 1968 “Edwin Drood Concluded, Again,” speeches.

Literary Works (1934-2000) is comprised of 51 boxes containing Davis’s works of published and unpublished articles, manuscripts, book reviews, essays, poems, and short stories. The series is chronological within each section, except for the published books, which are in alphabetical order. The most notable of the literary works is Davis’s Franklin D. Roosevelt manuscripts, which includes his research for the series of books, working drafts, and manuscript chapters. A sub-category of the FDR manuscripts is the 1997 FDR Symposium at K-State that includes the book from the symposium, correspondence, invitation, programs, and the speech Davis gave at the Symposium. Those who participated in the symposium with Davis were Nancy Kassebaum Baker, James MacGregor Burns, Doris Kearns Goodwin, William E. Leuchténburg, and Arthur M. Schlesinger, Jr. Other subjects Davis wrote about that are of interest include Kansas history, Clarence Darrow, Dwight D. Eisenhower, Robert H. Goddard, James Lane, Charles A. Lindbergh, Adlai E. Stevenson, Eli Thayer and topics such as the birth control pill, fire departments, Kansas history, social security, stone walls, and UNESCO.

The Subjects Series (1942-1971) is housed in five (5) boxes and consist of information pertaining to Milton Stover Eisenhower (K-State President and his work with UNESCO, Alexander Meiklejohn who was a professor of Davis’s at the University of Wisconsin-Madison, and Adlai E. Stevenson, who lost by landslides in two races for president against Dwight D. Eisenhower in 1952 and 1962. The files contain correspondence between Davis and each of the individuals, speeches that Davis wrote for Eisenhower and Stevenson, other correspondence, newspaper clippings, and programs.

Death and Memorial Series (1999) is stored in two boxes and consists of Davis’s death certificate, eulogies, funeral papers, memorial service, obituaries, and sympathy cards.

Davis Family Series (1907-1999) is comprised of nine (9) boxes. Two (2) boxes are made up of family documents, three (3) boxes contain French souvenir postcards that Charles Davis collected during World War I, and four (4) boxes contain family correspondence. Correspondence of interest is the letters between Charles and Lydia Davis while Charles was stationed in France during World War I.

The Photographs Series (circa 1912-1999) is stored in two (2) boxes and arranged alphabetically. The majority of photographs are of family members.

The Media Series (circa 1972-1999) is comprised of three (3) boxes. Included are 3 ½ inch disks and 5 ¼ inch disks, and the files that were able to be retrieved from these disks. Documents retrieved from the disk include correspondence and manuscripts that are not found anywhere else in the collection. Items of interest are correspondence between Davis and his last editor Robert Loomis of Random House and some drafts of Davis’ first FDR books.

There are three (3) Scrapbooks in the collection: In The Forests Of The Night, 1942, Soldier of Democracy, 1945, and A Prophet In His Own Country, 1957. Because of their fragile conditions, the scrapbooks were taken apart and photocopied. Each scrapbook includes book reviews and correspondence.

The Oversize Items (1927-1997) are stored in one box. The Oversize Items include Davis’s 1927 Junior High School Diploma, his 1930 High School Diploma, and his 1934 Kansas Agricultural College Diploma. It also includes the 1973 Francis Parkman Prize certificate, the 1994 Lou Douglas Lecture Poster (Davis was the speaker), 1996 Presidential prints of President Bill Clinton and Vice-President Al Gore, and two posters from the 1997 FDR symposium.

The Map Series (1919-1985) is stored with the Oversize Items and includes National Geographic Society magazine maps and a few maps from France dated 1919.

The Artifact and Art Series (1955-1997) is housed in (1) box and includes two caricatures of Davis, one by his first wife, Flo, and one by F. Mason, and a watercolor sketch. Other items include award plaques, badges, a guest book, and jewelry.

Printed Material is made up of four (4) boxes, one being a flat box for oversize documents, and consists of journals, leaflets, newspapers, pamphlets, and the Davis Family Bible dated 188 that is in the Swedish language.