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The Jack Hartman Papers document Hartman's college coaching career from 1955-1986. They also include course material, correspondence regarding his retirement as head coach for Kansas State University and his nomination to the Hall of Fame in 1986, photographs, and artifacts. During Hartman's professional career he was head basketball coach at three schools including: Coffeyville (Kansas) Junior College (1955-1962), Southern Illinois University (1962-1970), and Kansas State University (1970-1986).
Oklahoma A & M, the first series, is comprised of material from courses in education and physical education that Hartman took while enrolled at the college.
The second series, Coffeyville Junior College (1955-1962), is divided into seven sub-series according to basketball season: 1) 1955-1956 contains a copy of the college magazine and awards; 2) 1956-1957 includes the college magazine from that year; 3) 1957-1958 consists of telegrams, tournament information, and newspaper clippings; 4) 1959-1960 contains newspaper clippings outlining highlights; 5) 1960-1961 includes tournament information; 6) 1961-1962 consists of tournament information and newspaper clippings, and 7) Miscellaneous includes scouting notes and a cutout of the Coffeyville Junior College mascot.
Southern Illinois University (1962-1970), the third series, is organized into eight sub-series: 1) 1962-1963 consists of newspaper clippings; 2) 1963-1964 contains newspaper clippings; 3) 1964-1965 includes telegrams, game statistics, programs, tournament information, and newspaper clippings; 4) 1967 National Invitational Tournament (NIT) consists of programs and newspaper clippings featuring the tournament highlights (Walt Frazier, who went on to star for the New York Knicks, was a member of the team); 5) 1967-1968 contains game statistics, programs, and newspaper clippings; 6) 1968-1969 includes game programs; 7) 1969-1970 consists of game statistics, programs, the Countrywide Sports magazine, and newspaper clippings; and 8) 1970 Transition from SIU to KSU includes newspaper clippings outlining Hartman's resignation from SIU and appointment as the new head basketball coach at Kansas State University.
The fourth series is Kansas State University (1970-1986). This series is separated into thirteen sub-series: 1) Clippings, undated, contains a number of newspaper clippings from unknown basketball seasons at Kansas State University; 2) 1970-1971 consists of telegrams, game statistics, programs, tournament information, and clippings; 3) KSU, 1971, Clippings includes newspaper clippings concerning Oklahoma University's basketball team; 4) 1971-1972 contains telegrams, game statistics, and newspaper clippings; 5) 1972-1973 consists of programs and newspaper clippings; 6) 1973-1974 contains game statistics, programs, and media guides, and newspaper clippings; 7) 1974-1975 includes programs and newspaper clippings; 8) 1975-1976 contains programs and newspaper clippings; 9) 1976-1977 consists of a photograph; 10) 1977-1978 includes newspaper clippings; 11) 1979-1980 contains college magazine and newspaper clippings; 12) 1984-1985 consists of newspaper clippings; and 13) 1985-1986 includes programs and newspaper clippings.
The series Correspondence (1986) is organized into two sub-series. The first sub-series is entitled Retirement and contains a number of letters regarding Hartman's retirement as the head coach for the men's basketball team at Kansas State University. It includes letters from Governor John Carlin (Kansas) and coaches Lou Henson, Tom Penders, "Wimp" Sanderson, and others. The second sub-series relates to Hartman's nomination to the Naismith Memorial Hall of Fame in Springfield, Massachusetts, in 1986 and contains letters of support from Henry Iba, DeLoss Dodds, Dean Smith, and others.
The Photographs series is divided into three sub-series: 1) Coffeyville Junior College consists of photographs from Hartman's time as head coach at Coffeyville; 2) Southern Illinois University includes Southern Illinois University's basketball team photographs, individual player photographs, a number of photographs of Hartman during his tenure as head coach, and a photograph from the National Invitation Tournament in 1967; and 3) Kansas State University contains a photograph of Hartman during his years as head coach at Kansas State University.
Artifacts comprise the last series and include a "Coach of the Year Award" trophy from the National Association of Basketball Coaches for the 1980-1981 season, and two plaques awarded to Hartman. The first plaque was given to him by the Kansas Basketball Coaches Association (KBCA) in honor of his induction into the KBCA Hall of Fame in 1989. The second plaque was presented by Kansas State University honoring Hartman as the winningest coach in Kansas State University basketball history, 1970-1986.

Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.
The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.
Some items of interest include typed lyric sheets of "Goos Pond" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and "Don't Start Me To Talking" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).

The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.
The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.
The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by "a white Christian" or "a white, white, American." There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series "Correspondence to Poetry Magazines" is listed alphabetically by magazine title and consists of one box.
The sub-series "Correspondence Log" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.
Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that "recycled" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.
Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.
The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.
Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the "50th Anniversary of the 1939 Pottstown High School Graduates" of interviews with Earl "Yogi" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.
There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.
Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.
The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's "Passion for Peace," Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's "The Picture Poems of Kenneth Patchen," California Living, 1983. There are four Kenneth Patchen poems included: "The Way Men Live Is a Life," 1944, "A Poem For Christmas," 1961, "What I'd Like To Know Is, 1967" and "A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man," 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.
Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.

John M. Lilley (1939-) served as Assistant Dean of the College of Arts and Sciences at Kansas State University from 1976 to 1980. During that period, he compiled research for a book on American composer Gail Thompson Kubik. He also developed files pertaining to K-State's New Student Transition Program and Ad Hoc Committee on Enrollment and Orientation.
Most records pertain to Lilley's Kubik research and include audio materials and recording information, sheet music, and photocopies of articles and scrapbooks. Administrative records associated with Lilley's role as Assistant Dean of the College of Arts and Sciences document enrollment programming during the late 1970s.

Collection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California.

The Subject Series is made up of five folders and includes an organization chart for VP & GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates.

The Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications.

The Don & Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs.

The Photograph Series contains four folders. There are photographs of Lawrence John Letnes, Joseph Tucker, and a photograph of the medal, Order of the British Empire give to Joseph Tucker by King George VI in 1946.

The Oversize Printed Materials Subseries consists of three journal articles, three publications, and two advertising posters.

The Oversize Photographs Subseries has two photographs: 1) Proclamation by King George VI, 1946 September 9, that nominates and appoints Joseph Maxwell Tucker “to an Honorary Officer of the Civil Division of Our said and Most Excellent Order of the British Empire" and 2) a newspaper advertisement poking fun at Joseph Tucker titled “Retribution Overdue."

Materials include meeting minutes, 1949–1951; annual reports, 1950–1954, 1957, 1959–1960; newsletters (Bull Tales), 1953–1955, 1957–1958.

The collection is an amalgamation of Kansas, Missouri, and Nebraska ephemera derived from multiple sources, dating 1940-2000. Maps, promotional brochures, and travel guides feature prominently.
Most materials pertain to the state of Kansas. Topics include plants, regions, municipalities, sites, programming, and transportation routes. Researchers interested in the state's highway and water resources, the tourist industry, and public services may find the collection especially beneficial. Highlights include a state-issued map illustrated by F. Richard, "Travel Kansas: Kansas, the Friendly State Welcomes You" (1940) and a Corps of Engineers - Kansas City District brochure pertaining to the construction of the Harlan County (Nebraska) Dam (May 1947).

The Kansas Iota chapter of Phi Kappa Theta was founded in 1921 and continues to be a presence at the university. These records contain meeting minutes from 1921 to 1996, attendance records, operating statements, and general fraternity history and activity. This collection also contains petitions from other university chapters asking to be inducted into the national fraternity. Box 1 contains meeting minutes from 1921-199. Box 2 contains the general records for the organization.

These newsletters are from academic and other offices and units at Kansas State University. Topics typically will relate to department information, personnel updates, and similar subjects.

The Kenneth S. Davis Papers (1886; 1912-2000) documents Davis’s career as a prominent historian and writer. Davis’s Estate holds the copyright to his literary works. The majority of the collection is related to his writings.
The Writings/Journals Series (1919; 1935-1967) consist of one box and includes some of Davis’s early writing efforts when he was seven years old. Davis kept journals for the years 1935, 1937, 1941, 1953 through 1955, 1961, and 1966 through 1967. In 1958, Davis began keeping a journal with is his wife Florence (Flo) Olenhouse Davis and they continued writing in the same journal through 1959. This series also includes some of Flo’s writing efforts. While she was never published, Flo was a highly skilled and diverse writer who wrote about topics that interested her such as trains, souvenirs from Chicago, and relatives.

Contained in 12 boxes the Correspondence Series (1934-1999) includes letters between Davis and his agents and publishers and editors and other correspondence. The agent's letters are arranged chronologically in one box while the publishers/editors are arranged alphabetically and stored in three boxes. Other correspondence is arranged alphabetically, consists of eight boxes, and includes letters from historians David McCullough, Arthur Schlesinger, Jr., and William Shirer. Some other correspondence of interest includes letters from Kansas individuals such as Dave Kendall host of the PBS show Sunflower Journeys, Bill Koch, Karl Menninger of the Menninger Foundation, and Richard Seaton of The Manhattan Mercury newspaper. Davis received letters from K-State individuals such as Betty Bailey, Earle, and Kay Davis, George Kren, Don Mrozek, Homer Socolofsky, Ralph Titus, President Jon Wefald, and Dent Wilcoxon.

The Awards/Certificates Series (1935-2000) is housed in one box and includes the Friends of American Writers Award that Davis won in 1943 for his fiction novel In the Forests of the Night, the 1960 Thormod Monsen Award for The Hero, Charles A. Lindbergh, and the American Dream, and the 1973 Francis Parkman Prize for FDR: The Beckoning of Destiny, 1882-1928. In 1963 Davis received the Centennial Award for Distinguished Service at K-State, he received an Honorary Doctorate degree from Assumption College in Worcester, Massachusetts in 1968, and in 1975 he became a member of Phi Beta Kappa at K-State. Between 1967 and 2000, Davis was often listed in the Marquis Who’s Who in America.

Housed in one box, the Organizations/Clubs Series (1952-1999) includes Davis’s membership in the Society of American Historians, Bohemians, Inc., Century Club, and Dickens Fellowship and some other documents related to the organizations. Of interest in the Society of American Historians is correspondence from Kenneth T. Jackson announcing in 1973 that Davis won the Francis Parkman Prize and had been elected to membership in the society. Davis presented programs to the Bohemians including “What’s Wrong With The Press,” “The Problem of a Biographer,” and “Puritan Kansas: New England Influence” and gave a speech about remembering Clarence Daigneau. Adlai E. Stevenson proposed Davis as a member of the Century Club in New York City and William Shirer also played an instrumental role in Davis’s election into the club. Davis and his wife, Flo, were active in the Dickens Society in Worcester, Massachusetts and this section includes newspaper clippings about the Society’s Christmas dinners.

The Fellowship and Grants Series (1953-1982) is contained in one box that includes documents on Guggenheim Fellowships, National Endowment for the Humanities grants, the Stern Family Fund, and the Woodrow Wilson Scholar. In 1961, Davis applied for a Guggenheim Fellowship, however, it was not granted, and in 1974, he received a $12,000 grant. In 1980, Davis applied for a National Endowment for the Humanities grant, but he did not the grant.

Contained in four boxes, the Speeches Series (1942-1998), includes Davis’s 1943 acceptance speech for the Friends of Americans Writer Award he received for his novel In The Forests Of The Night. Other speeches of interest in this series include Davis’s 1947 speech for the Topeka Chapter of the League of Women Voters titled “UNESCO-Its Nature and Function,” his 1971 speech for Assumption College titled, “Thinking About FDR: Some Problems Of A Biographer,” his 1975 speech at the Kansas State Historical Society Dinner titled, “Portrait of a Changing Kansas,” and his 1994 Lou Douglas Lecture at K-State titled, “Mass Communication and the American Democracy.” Davis and his wife, Flo, were actively involved in the Dickens Society and speeches of interest to this group include the 1962 “Of Dickens and ‘Bleak House’” and the 1968 “Edwin Drood Concluded, Again,” speeches.

Literary Works (1934-2000) is comprised of 51 boxes containing Davis’s works of published and unpublished articles, manuscripts, book reviews, essays, poems, and short stories. The series is chronological within each section, except for the published books, which are in alphabetical order. The most notable of the literary works is Davis’s Franklin D. Roosevelt manuscripts, which includes his research for the series of books, working drafts, and manuscript chapters. A sub-category of the FDR manuscripts is the 1997 FDR Symposium at K-State that includes the book from the symposium, correspondence, invitation, programs, and the speech Davis gave at the Symposium. Those who participated in the symposium with Davis were Nancy Kassebaum Baker, James MacGregor Burns, Doris Kearns Goodwin, William E. Leuchténburg, and Arthur M. Schlesinger, Jr. Other subjects Davis wrote about that are of interest include Kansas history, Clarence Darrow, Dwight D. Eisenhower, Robert H. Goddard, James Lane, Charles A. Lindbergh, Adlai E. Stevenson, Eli Thayer and topics such as the birth control pill, fire departments, Kansas history, social security, stone walls, and UNESCO.

The Subjects Series (1942-1971) is housed in five (5) boxes and consist of information pertaining to Milton Stover Eisenhower (K-State President and his work with UNESCO, Alexander Meiklejohn who was a professor of Davis’s at the University of Wisconsin-Madison, and Adlai E. Stevenson, who lost by landslides in two races for president against Dwight D. Eisenhower in 1952 and 1962. The files contain correspondence between Davis and each of the individuals, speeches that Davis wrote for Eisenhower and Stevenson, other correspondence, newspaper clippings, and programs.

Death and Memorial Series (1999) is stored in two boxes and consists of Davis’s death certificate, eulogies, funeral papers, memorial service, obituaries, and sympathy cards.

Davis Family Series (1907-1999) is comprised of nine (9) boxes. Two (2) boxes are made up of family documents, three (3) boxes contain French souvenir postcards that Charles Davis collected during World War I, and four (4) boxes contain family correspondence. Correspondence of interest is the letters between Charles and Lydia Davis while Charles was stationed in France during World War I.

The Photographs Series (circa 1912-1999) is stored in two (2) boxes and arranged alphabetically. The majority of photographs are of family members.

The Media Series (circa 1972-1999) is comprised of three (3) boxes. Included are 3 ½ inch disks and 5 ¼ inch disks, and the files that were able to be retrieved from these disks. Documents retrieved from the disk include correspondence and manuscripts that are not found anywhere else in the collection. Items of interest are correspondence between Davis and his last editor Robert Loomis of Random House and some drafts of Davis’ first FDR books.

There are three (3) Scrapbooks in the collection: In The Forests Of The Night, 1942, Soldier of Democracy, 1945, and A Prophet In His Own Country, 1957. Because of their fragile conditions, the scrapbooks were taken apart and photocopied. Each scrapbook includes book reviews and correspondence.

The Oversize Items (1927-1997) are stored in one box. The Oversize Items include Davis’s 1927 Junior High School Diploma, his 1930 High School Diploma, and his 1934 Kansas Agricultural College Diploma. It also includes the 1973 Francis Parkman Prize certificate, the 1994 Lou Douglas Lecture Poster (Davis was the speaker), 1996 Presidential prints of President Bill Clinton and Vice-President Al Gore, and two posters from the 1997 FDR symposium.

The Map Series (1919-1985) is stored with the Oversize Items and includes National Geographic Society magazine maps and a few maps from France dated 1919.

The Artifact and Art Series (1955-1997) is housed in (1) box and includes two caricatures of Davis, one by his first wife, Flo, and one by F. Mason, and a watercolor sketch. Other items include award plaques, badges, a guest book, and jewelry.

Printed Material is made up of four (4) boxes, one being a flat box for oversize documents, and consists of journals, leaflets, newspapers, pamphlets, and the Davis Family Bible dated 188 that is in the Swedish language.