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Records included in this accrual are corporate board minutes, licensing agreements, product stories, event photographs, corporate documents, news paper clippings, digital media such as VHS, CDs, DVDs, and vinyl records.

The Women's Center records document the development and history of the Women's Center, known originally as the Women's Resource Center and today as CARE (Center for Advocacy, Response, and Education). The materials are divided into administrative records, Campaigns for Nonviolence (CNV), Proactive Educators for the Elimination of Sexual violence (PEERS), Wildcats Against Rape (WAR), photographs, artifacts, and posters.

The administrative records includes the history of the Women's Center, class resources, conferences (including one conference titled "Coming Out Day Conference" for the LGBT community), correspondence, handouts, office policies and procedures, newsletters, presentations, reports, workshops for women, the young women's project, four booklets empowering women to become leaders, and one CD with a note that reads "Future Music Possibilities." Class resources are Modules 1–6 in printed form and Modules 1–7 on a Zip disk, which were used in the "Students in Oral Communication I & IA: Speaking of Issues Relating to Women...and Men" class. The young women's project includes information on body image, eating disorders, dating, clothes, grades, and peer pressure. A special project of the Women's Center was the Empty Bowls Project to raise funds and awareness in the fight to end hunger.

CNV materials include documentation of rallies and campaigns, history, speakers' information, campaigns and seminars, publicity, brochures, newspaper articles, one Beta video recording (Campaign for Nonviolence, July 2004), eleven CDs of photographs and information pertaining to the seasons for nonviolence, one audiocassette (CNV Rally 2001 that aired on radio station 580AM), and records pertaining to a program called "SafeZone."

PEERS records describe educational offerings about sexual violence, dating violence, domestic violence, stalking, and sexual harassment for women and men. Other materials include the book "Replacing Skeleton Key Thinking With Common Sense and Awareness" by Peggy Gene and Jennifer Schmidt, published by the The Stephanie Schmidt Foundation.

WAR records include documentation of activities such as pub crawls, run against rape, season for nonviolence city park dog walk, take back the day, and the date safe project. Other records include photographic prints, digital photographs, and advertising.

The Kansas Bureau of Investigation Forensic Laboratory Sexual Assault Evidence Collection Kit is the only artifact in this collection.

Forty posters document the Center's efforts to educate students and community members and encourage them to participate in reducing the problem of sexual violence on campus, in the community, and in the African Congo. Examples include "Can I Buy You a Drink?," "The Art of Rape," "Force is Never Friendly," "Take Back the Night," "Preventing Violence Against Women on Campus," "Contemplate Act, Walk the Paths of Peace, Moonlight Walk on the Konza Prairie," "Walk the Paths of Peace, A Season for Nonviolence, Wildcats Against Rape presents reading from Purple Cried," "Purple Cried, K-State Students' Stories of Assault," and "Campaign for Nonviolence, 64 Ways to Practice Nonviolence."

Kathleen Ward was a Communication Specialist for Research and Extension at Kansas State University. She has been a longtime writer for Kansas State University. Ward's collection consists of copies of articles and local newspapers clippings dated from the late 1970s to 2010. Among other things, the collection includes multiple local publications on wild animal trapping.

The Kenneth S. Davis Papers (1886; 1912-2000) documents Davis’s career as a prominent historian and writer. Davis’s Estate holds the copyright to his literary works. The majority of the collection is related to his writings.
The Writings/Journals Series (1919; 1935-1967) consist of one box and includes some of Davis’s early writing efforts when he was seven years old. Davis kept journals for the years 1935, 1937, 1941, 1953 through 1955, 1961, and 1966 through 1967. In 1958, Davis began keeping a journal with is his wife Florence (Flo) Olenhouse Davis and they continued writing in the same journal through 1959. This series also includes some of Flo’s writing efforts. While she was never published, Flo was a highly skilled and diverse writer who wrote about topics that interested her such as trains, souvenirs from Chicago, and relatives.

Contained in 12 boxes the Correspondence Series (1934-1999) includes letters between Davis and his agents and publishers and editors and other correspondence. The agent's letters are arranged chronologically in one box while the publishers/editors are arranged alphabetically and stored in three boxes. Other correspondence is arranged alphabetically, consists of eight boxes, and includes letters from historians David McCullough, Arthur Schlesinger, Jr., and William Shirer. Some other correspondence of interest includes letters from Kansas individuals such as Dave Kendall host of the PBS show Sunflower Journeys, Bill Koch, Karl Menninger of the Menninger Foundation, and Richard Seaton of The Manhattan Mercury newspaper. Davis received letters from K-State individuals such as Betty Bailey, Earle, and Kay Davis, George Kren, Don Mrozek, Homer Socolofsky, Ralph Titus, President Jon Wefald, and Dent Wilcoxon.

The Awards/Certificates Series (1935-2000) is housed in one box and includes the Friends of American Writers Award that Davis won in 1943 for his fiction novel In the Forests of the Night, the 1960 Thormod Monsen Award for The Hero, Charles A. Lindbergh, and the American Dream, and the 1973 Francis Parkman Prize for FDR: The Beckoning of Destiny, 1882-1928. In 1963 Davis received the Centennial Award for Distinguished Service at K-State, he received an Honorary Doctorate degree from Assumption College in Worcester, Massachusetts in 1968, and in 1975 he became a member of Phi Beta Kappa at K-State. Between 1967 and 2000, Davis was often listed in the Marquis Who’s Who in America.

Housed in one box, the Organizations/Clubs Series (1952-1999) includes Davis’s membership in the Society of American Historians, Bohemians, Inc., Century Club, and Dickens Fellowship and some other documents related to the organizations. Of interest in the Society of American Historians is correspondence from Kenneth T. Jackson announcing in 1973 that Davis won the Francis Parkman Prize and had been elected to membership in the society. Davis presented programs to the Bohemians including “What’s Wrong With The Press,” “The Problem of a Biographer,” and “Puritan Kansas: New England Influence” and gave a speech about remembering Clarence Daigneau. Adlai E. Stevenson proposed Davis as a member of the Century Club in New York City and William Shirer also played an instrumental role in Davis’s election into the club. Davis and his wife, Flo, were active in the Dickens Society in Worcester, Massachusetts and this section includes newspaper clippings about the Society’s Christmas dinners.

The Fellowship and Grants Series (1953-1982) is contained in one box that includes documents on Guggenheim Fellowships, National Endowment for the Humanities grants, the Stern Family Fund, and the Woodrow Wilson Scholar. In 1961, Davis applied for a Guggenheim Fellowship, however, it was not granted, and in 1974, he received a $12,000 grant. In 1980, Davis applied for a National Endowment for the Humanities grant, but he did not the grant.

Contained in four boxes, the Speeches Series (1942-1998), includes Davis’s 1943 acceptance speech for the Friends of Americans Writer Award he received for his novel In The Forests Of The Night. Other speeches of interest in this series include Davis’s 1947 speech for the Topeka Chapter of the League of Women Voters titled “UNESCO-Its Nature and Function,” his 1971 speech for Assumption College titled, “Thinking About FDR: Some Problems Of A Biographer,” his 1975 speech at the Kansas State Historical Society Dinner titled, “Portrait of a Changing Kansas,” and his 1994 Lou Douglas Lecture at K-State titled, “Mass Communication and the American Democracy.” Davis and his wife, Flo, were actively involved in the Dickens Society and speeches of interest to this group include the 1962 “Of Dickens and ‘Bleak House’” and the 1968 “Edwin Drood Concluded, Again,” speeches.

Literary Works (1934-2000) is comprised of 51 boxes containing Davis’s works of published and unpublished articles, manuscripts, book reviews, essays, poems, and short stories. The series is chronological within each section, except for the published books, which are in alphabetical order. The most notable of the literary works is Davis’s Franklin D. Roosevelt manuscripts, which includes his research for the series of books, working drafts, and manuscript chapters. A sub-category of the FDR manuscripts is the 1997 FDR Symposium at K-State that includes the book from the symposium, correspondence, invitation, programs, and the speech Davis gave at the Symposium. Those who participated in the symposium with Davis were Nancy Kassebaum Baker, James MacGregor Burns, Doris Kearns Goodwin, William E. Leuchténburg, and Arthur M. Schlesinger, Jr. Other subjects Davis wrote about that are of interest include Kansas history, Clarence Darrow, Dwight D. Eisenhower, Robert H. Goddard, James Lane, Charles A. Lindbergh, Adlai E. Stevenson, Eli Thayer and topics such as the birth control pill, fire departments, Kansas history, social security, stone walls, and UNESCO.

The Subjects Series (1942-1971) is housed in five (5) boxes and consist of information pertaining to Milton Stover Eisenhower (K-State President and his work with UNESCO, Alexander Meiklejohn who was a professor of Davis’s at the University of Wisconsin-Madison, and Adlai E. Stevenson, who lost by landslides in two races for president against Dwight D. Eisenhower in 1952 and 1962. The files contain correspondence between Davis and each of the individuals, speeches that Davis wrote for Eisenhower and Stevenson, other correspondence, newspaper clippings, and programs.

Death and Memorial Series (1999) is stored in two boxes and consists of Davis’s death certificate, eulogies, funeral papers, memorial service, obituaries, and sympathy cards.

Davis Family Series (1907-1999) is comprised of nine (9) boxes. Two (2) boxes are made up of family documents, three (3) boxes contain French souvenir postcards that Charles Davis collected during World War I, and four (4) boxes contain family correspondence. Correspondence of interest is the letters between Charles and Lydia Davis while Charles was stationed in France during World War I.

The Photographs Series (circa 1912-1999) is stored in two (2) boxes and arranged alphabetically. The majority of photographs are of family members.

The Media Series (circa 1972-1999) is comprised of three (3) boxes. Included are 3 ½ inch disks and 5 ¼ inch disks, and the files that were able to be retrieved from these disks. Documents retrieved from the disk include correspondence and manuscripts that are not found anywhere else in the collection. Items of interest are correspondence between Davis and his last editor Robert Loomis of Random House and some drafts of Davis’ first FDR books.

There are three (3) Scrapbooks in the collection: In The Forests Of The Night, 1942, Soldier of Democracy, 1945, and A Prophet In His Own Country, 1957. Because of their fragile conditions, the scrapbooks were taken apart and photocopied. Each scrapbook includes book reviews and correspondence.

The Oversize Items (1927-1997) are stored in one box. The Oversize Items include Davis’s 1927 Junior High School Diploma, his 1930 High School Diploma, and his 1934 Kansas Agricultural College Diploma. It also includes the 1973 Francis Parkman Prize certificate, the 1994 Lou Douglas Lecture Poster (Davis was the speaker), 1996 Presidential prints of President Bill Clinton and Vice-President Al Gore, and two posters from the 1997 FDR symposium.

The Map Series (1919-1985) is stored with the Oversize Items and includes National Geographic Society magazine maps and a few maps from France dated 1919.

The Artifact and Art Series (1955-1997) is housed in (1) box and includes two caricatures of Davis, one by his first wife, Flo, and one by F. Mason, and a watercolor sketch. Other items include award plaques, badges, a guest book, and jewelry.

Printed Material is made up of four (4) boxes, one being a flat box for oversize documents, and consists of journals, leaflets, newspapers, pamphlets, and the Davis Family Bible dated 188 that is in the Swedish language.

Records contained in this accession include early agriculture experiment station press reports and bulletins.
- Folder 1: Agriculture Experiment Station: Press Reports 1898-1900
- Folder 2: Press Bulletins 159-178
- Folder 3: Press Bulletins 1-115
- Folder 4: Press Bulletins 1-34
- Folder 5: Press Bulletins 35-70
- Folder 6: Press Bulletins 71-124
- Folder 7: Press Reports 125-158

The Leonard E. Bloomquist Collection is composed of his personal writings, research, publications, correspondence, and administrative materials. In 1997 he completed the 'Exemplary Faculty study,' which contains transcriptions from interviews with 20 faculty members from the College of Arts and sciences. Some of the other projects in this collection pertain to Dr. Bloomquist's work with rural sociology and his time as the head of the department of Sociology, Anthropology, and Social Work. Approximate years covered in this collection are from 1982-2004.

Records relating to the history of Cooperative Extension work in Sedgwick County Kansas and focusing particularly on the Prairie Gem unit of which Lou Herndon and her mother, Ruth Wilkins, were charter/lifetime members.

These materials are records documenting the development and history of McCain Auditorium, the campus cultural center for the live performing arts since 1970. The bulk of the collection consists of programs, broadsides, contracts, newspaper articles, administrative files, and photographs. Of note, are programs from the first performance in the auditorium and early performance broadsides.
The McCain Performance Series includes handbills, programs, and season brochures of performances between the years of 1970 and 2010.
The Internal Records includes advertisements of McCain performances, contracts with performers, correspondence between McCain and the performers, financial reports on the cost of events, grants that were written to help pay for various events, and press kits made available to newspapers, television, and radio stations to advertise events. There are also 105 3.5" floppy disks and 62 5.25" floppy disks with internal documents. The 3.5" floppy disks include material such as advertisements, brochures, database files, events, and Friends of McCain mailing list. The 5.25" floppy disks include material such as advertisements, brochures, budgets, calendar events, fonts, lighting information, mailing lists, newsletters, photographs, postcards, posters, press releases, programs, sponsors information, surveys, system disks, and workshop information. There are two boxes that are oversized that house advertisement mock-ups of performances and events.
Photographs and Slides include some of the artists participating in the McCain Performance Series and the Other McCain Performance and Events Series. Box 59 houses oversize photographs that include photographs of McCain Auditorium and the Philharmonic of China.
Other McCain Performances and Events include Kansas State University (KSU) organizations such as KSU Bands, KSU Chamber Music Series, Department of Music, Theater, and Dance, K-State Orchestra, K-State Players, K-State Singers, Men and Women's Glee Clubs, and Spring Dance.
The Friends of McCain includes advertising and promotion of Friends events, list of board of directors, monthly board minutes, yearly budgets, correspondence between the board of directors and members of Friends, financial reports of funds raised and spent on events, reports from the KSU Foundation Center of donors designating their donations to Friends of McCain, fundraising brochures and campaigns such as the Yearly Holiday Home Tours, membership lists of Friends of McCain, Friends of McCain newsletters, and season campaign brochures.
Media: CDs, Audio Cassettes, and Reel-to-Reel Tapes are made up of one box. It contains two CDs, 24 audio cassettes, three reel-to-reel tapes. The two CDs are titled McCain Movie and are not dated. The audio cassettes titles include Women Light 21, Women Heavy 40, Men Light 10 and 5, Men Heavy 13, 16 and 22 Dolby, Men Heavy 28 and 40, McCain Auditorium with Tag, Frances Mayes Lecture, Posing Music, Cathy Hougland, and Women Light 25, David and Cathy Hougland "Cool the Exgines," Big River "Running to the River," and Reduced Shakespeare Company, "The Bible." The titles of the Reel-to-Reel tapes are New York City Opera National Company "Figaro" and La Boheme Radio Ads and Gypsy Radio Ad.
Newspaper articles about McCain Performance Series and Events are from the K-State Collegian and The Manhattan Mercury as they covered performances and events.
Oversize is made up of McCain Performance Series and Other McCain Performance and Events Broadsides and Blueprints of McCain Auditorium. The broadsides are extra large posters advertising the date and time of a particular performance. The broadsides include performances such as ballets, plays and musical plays, operas, and concerts. Some ballets performed were The Nutcracker by Ballet Oklahoma, Kyiv Ballet and the Tulsa Ballet, Swan Lake by the Russian National Ballet, The Sleeping Beauty by Houston Ballet, and Romeo & Juliet by Ballet West and The St. Petersburg Ballet Theatre. Plays and musical plays performed include Winnie the Pooh, Cat on a Hot Tin Roof by the Montana Repertory Theatre, Sweeney Todd, Cats, Hairspray, Babes in Toyland, Fiddler on the Roof, The Adventures of Tom Sawyer, Diary of Anne Frank by the Montana Repertory Theatre, The Sound of Music, John Amos in Halley's Comet and Ted Neely in Jesus Christ Superstar. Some operas performed include La Boheme by the Texas Opera Theatre, Rigoletto and Madame Butterfly by the New York City Opera National Touring Company, The Barber of Seville by the Western Opera Theatre, Die Fledermaus by the Kansas State University Opera Theatre, The Merry Widow by the London City Opera and Die Zauberflote (The Magic Flute) presented by Mozart Festival Opera. Concerts performed include Vienna Choir Boys, St. Petersburg Philharmonic Orchestra, Vanguard Jazz Orchestra, National Philharmonic of Russia, Jerusalem Symphony Orchestra, Ricky Skaggs and Kentucky Thunder, The Uptown String Quartet, Canadian Brass, Venice Baroque Orchestra, and the Kronos Quartet.
The Blueprints of McCain Auditorium are of when the auditorium was first being built. These blueprints are of the lighting systems throughout the auditorium.

McPherson collection includes a multitude of documents pertaining the McPherson extension office as well as the 4-H program. Documents range from executive files such as financial records, meeting minutes, membership lists, and construction plans to documents such as photographs, slides, and program guides.

Materials include research notes from Ms. Reay's 1999 book, Land Grant Ladies: Kansas State University Presidential Wives, typescript with handwritten notes of a speech given in 2009, Christmas card and letter from 2008 that Joseph Denison's great-grandson sent to Ms. Chance-Reay, a scrap of fleece that bears the Kansas State University imprint from 2011, a letter from Supreme Court Justice Sonia Sotomayor from 2011, Cherokee Area Archives first lady photograph, Land Grant Ladies Book Review, A first lady cookbook, PEO magazine and yearbook, and Domestic Science Club information and materials.